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Jane Gower |
As a specialist in historical
bassoon, Jane Gower
performs extensively
throughout Europe, the
USA and Australia. She is
very active in chamber
music and as a soloist, in
addition to appearing with
the finest early music
orchestras, and has a
growing collection of
original instruments on
which she also performs.
Jane received her Bachelor
of Music, with high
distinction, from the
Canberra School of Music
in 1992. Up until this time
she performed with The
Sydney Symphony
Orchestra, The Australian
Chamber Orchestra and
The Australia Ensemble.
Subsequently, she was
awarded a Netherlands
Government Scholarship
and Queens Trust grant for
study of historical bassoon
at the Royal Conservatory
in The Hague, The
Netherlands, where she
completed her
performance diploma in
early music in 1996, with
high distinction.
In 2005 Jane was
appointed principal
bassoonist of Sir John Eliot
Gardiner’s acclaimed
orchestras, the English
Baroque Soloists and
Orchestre Révolutionnaire
et Romantique. She has
been principal bassoonist
with Jos van Immerseel’s
orchestra Anima Eterna for
many years, performing
and recording with this
orchestra a wide range of
repertoire from Buxtehude
and Bach to J Strauss and
Tchaikovsky, and the
complete symphonies of
Schubert and Beethoven.
Additionally she is the
principal bassoonist of
Concerto Copenhagen,
and has appeared as
Season 2008 Guest Artists
principal bassoonist with
the Orchestra of the Age of
Enlightenment (Sir Simon
Rattle), The Academy of
Ancient Music, La Petite
Bande, Les Arts
Florissants, The Freiburger
Baroque Orchestra and
Philharmonia Baroque
Orchestra (San Francisco).
She returns regularly to her
native Australia to perform
with the Australian
Brandenburg Orchestra,
Australian Bach Ensemble
and Australian Chamber
Orchestra.
In addition to her diverse
chamber music activities,
in 1999 she founded the
quartet “island”, which
explores the neglected
nineteenth-century
repertoire for bassoon and
strings. The ensemble has
a recording contract with
Centaur Records and has
performed throughout
Spain, Belgium, the
Netherlands and Australia.
In 2005 Jane was Musical
Director of the Barossa
Music Festival in South
Australia. Current chamber
music projects feature
concert tours with
harpsichordist Lars Ulrik
Mortensen and recorder
player Genevieve Lacey,
and trio concerts with
Mortensen and violinist
John Holloway, with whom
she will record for the
prestigious ECM label in
2008.
As a teacher of baroque
and classical bassoon,
Jane has given
masterclasses in Antwerp
for Labo 19, in Australia for
Youth Music Australia, and
in St Petersburg,
sponsored by the Dutch
Netwerk voor Oude
Muziek. She tutors at
summer courses at the
Wilanow Academy,
Warsaw, and for the Jeune
Orchestre Atlantique and
the European Union
Baroque Orchestra. Jane
has presented regular
masterclasses at the Royal
College of Music, London,
since 2007.
Jane is in increasing
demand as a soloist on the
historical bassoon. As
such she toured Australia
in 2000 with the Australian
Chamber Orchestra and
has also appeared with
Concerto Copenhagen,
Fundacja Concert Spirituel
in Warsaw, Nova
Stravaganza, Germany,
Les Agrémens, Belgium,
and Sirius, Australia. In
2002 Jane recorded for
CD Mozart’s bassoon
concerto with Anima
Eterna for Zig-Zag
Territoires, and she tours
regularly with the piece,
including in 2005 as a
soloist with the Australian
Brandenburg Orchestra.
Her cadenzas and
performance practice
notes for this concerto
were published in 2003 by
Bärenreiter. Her latest solo
recording is of three
bassoon concertos of
Franz Danzi, with the
Orchester von Damals und
Heute, Germany.