Our Patrons:
A HISTORY OF GIVING

Much of the music performed by the Australian Brandenburg Orchestra owes its existence, in part, to generous patrons of the past. They not only commissioned new music, but also provided musicians with employment, fostered creative thinking, and established institutions that enabled the arts to flourish. We invite you to continue the legacy of three such remarkable people, and share in our belief that a vibrant cultural life makes for a happy, healthy and motivated society.

CHRISTINA WASA, QUEEN OF SWEDEN
(1626-1689)

Forward thinking, intelligent and cultured, Christina was one of the greatest arts patrons of the 17th century. Having abdicated the Swedish throne to become a Catholic, she moved to Rome and established herself as one of its leading cultural figures. Patron of the composers Alessandro Scarlatti, Stradella and Corelli, she also founded Rome's first public opera house at the rebuilt Teatro di Tor di Nona in 1671. An ageless icon, her life was the inspiration for the 1933 feature film Queen Christina, starring Greta Garbo.

MARQUESS FRANCESCO MARIA RUSPOLI
(1665-1739)

A flamboyant man-about-town, the Marquess Ruspoli hosted gatherings at his estate where guests would gossip, play games, and hear new music performed by his own orchestra. He was one of Handel's most important Roman patrons, and many of the fifty secular cantatas he commissioned would have been performed at such parties. In addition to his patronage of the composer Antonio Caldara, it is also thought Ruspoli wrote the libretto for Alessandro Scarlatti's last opera, Griselda.

COUNT GIACOMO DURAZZO
(1717-1794)

This Viennese diplomat made a huge contribution to the mid- 18th century reform of opera, by bringing together the librettist Calzabigi and the composer Gluck. Known as the Gluckian reform, they defined an era of opera through their French-inspired collaborations. In his role as Generalspektakeldirektor (literally Director-General of Spectacle), he improved standards at local theatres, and fostered comic opera in Vienna by employing composers such as Gassmann and Guiseppe Scarlatti to compose opera buffe.