A tightrope walker and explorer soloist, Augustin Lusson is distinguished by a singular vision of early music, in a constant ballet of contrasts. With his Franco-Japanese roots, he embodies the meeting of worlds that everything seems to oppose. Augustine constantly evolves in a creative duality where apparent oppositions become a source of creative energy: that of cultures, musical styles, and ways of conceiving art.
The Beggar's Ensemble, which he co-founded with Daria Zemele, also embodies this quest for balance between opposing universes. Inspired by John Gay's anti-opera, The Beggar's Opera, the ensemble rediscovers and reinvents forgotten repertoires. Together, they explore the encounter between grandeur and triviality through baroque music, playing on theatricality, contrasts, and paradoxes. Their first recording, dedicated to Richard Jones, won a Diapason d'Or and a Coup de Coeur from Classica. Hailed for its vivacity and humor, this album reflects Augustin's radical approach: deconstructing expectations, playing with masks, and reimagining the baroque aesthetic. Their innovative vision of Jean-Marie Leclair's concertos, released in 2022, was praised by Télérama (TTT) and won a Muse d'or, confirming their place among the most promising baroque ensembles.
At only 18 years old, Augustin was noticed by the violinist and conductor Sigiswald Kuijken, who invited him to accompany him on a tour of Japan and the Netherlands. This dazzling debut marked the beginning of a career that led him to collaborate with prestigious ensembles such as Le Concert Spirituel (Hervé Niquet), Ricercar Consort (Ph. Pierlot), Les Musiciens de Saint-Julien (F. Lazarevich), La Petite Bande (S. Kuijken), Le Poème Harmonique (V.Dumestre), Akedemia (F.Lassèrre), Ensemble Kapsberger (R.Lislevand).
For the past ten years, Augustin Lusson has performed in the greatest halls and festivals, such as the Wiener Konzerthaus, the Concertgebouw in Amsterdam, Tokyo Opera City, Théâtre Auditorium de Poitiers, Théâtre des Champs Elysées, Palace of the Dukes of Bavaria, Oude muziek Utrecht, Festival de Saintes, Festival de la Roque d'Anthéron Musikfest Bremen, Festival de Beaune, la Folle journée de Nantes, Gstaad New Year festival to name a few. His musical and artistic commitment was rewarded by a Second Prize at the Normandy International Baroque Music Competition at the Chapelle Corneille, the WDR3 Prize at the Biber Competition, as well as a First Prize, Audience Prize at the Wan Wassenaer Competition in Utrecht.
With this vision, Augustin founded his own label, Bathos Records, in 2020. This label is the natural extension of his quest for duality, where he takes on the roles of violinist, producer, sound engineer and graphic designer. His first solo album, Playback, is a perfect example of this approach. Augustin has recorded for the labels Flora, Mirare, Alpha Classics, Erato, Son an ero Maguelone.
In parallel with his activities within The Beggar's Ensemble, Augustin Lusson enriched his career with significant collaborations. Among these, his work with the Mico Consort resulted in the recording of the album Tilting at Windmills, where the combination of violin, viola da gamba, and the historic Spanish organ of the church of Saint-Éloi de Fresnes highlights works from the English repertoire of the seventeenth century with contemporary creations. He has also collaborated with artists such as Iakovos Pappas and Benjamin Alard.
Augustin Lusson also explores other musical worlds that reflect the richness of his career. Having grown up to the sound of traditional French and Irish music, he developed a particular affinity for popular repertoires and improvisations. With the DSF project, co-founded with guitarist Yael Namias, he blends traditions and experimentation, exploring modern instrumental techniques through an instinctive approach. This creative approach continues in his duo Parpaing, where, alongside double bassist Antonin Pauquet, he revisits traditional music with renewed energy. Augustin has also collaborated with the avant-garde jazz band Ghost Rhythms, or Ciac Boum, thus broadening his sonic horizon.
His commitment to transmission and sharing is also reflected in his involvement in Poitiers, where he is the director of the Music season in Saint-Porchaire, where he promotes an eclectic program of early music.