Glenn graduated from NIDA in 1994. Theatre work includes, for the Red Line Productions: Amadeus; STC: Blithe Spirit, No Pay? No Way, Cosi (also MTC), The Father, Away, Arcadia, Disgraced, Love & Information, After Dinner, Perplexed, Dead White Males, Two Weeks With The Queen, Historia, Love For Love, Victory, Julius Caesar, Elling, The Pig Iron People, Don’s Party (also MTC), Tot Mom and Mongrels; for Ensemble: The Jack Manning Trilogy, Sorting Out Rachel, Rapture Blister Burn, Act One, All My Sons, Sanctuary, A Conversation, Birthrights, Rhinestone Rex and Miss Monica, Happiness, Managing Carmen, Tuesdays With Morrie, A View From The Bridge, Ten Unknowns and The Ruby Sunrise; for Griffin: A Hoax and Porn Cake; for Company B: The Judas Kiss; for the Seymour Centre: Transparency and Museum of Modern Love; for Bell Shakespeare: As You Like It.
Television and film work includes: Colin From Accounts, Anzac Girls, Redfern Now, The Moodys, The Elegant Gentleman’s Guide to Knife Fighting, All Saints, BlackJack, Stingers, Water Rats, Backberner, the telemovie Dripping in Chocolate, The Last Time I Saw Michael Gregg (an experimental project directed by Steven Soderbergh), and the critically acclaimed feature Last Train To Freo. He directed David Williamson’s One Night In Emerald City at the Malthouse (for the Corrilee Foundation), Stories From The 428 at Sidetrack Theatre and was assistant director to Sandra Bates on David Williamson’s Charitable Intent (Ensemble Theatre) and to Wayne Harrison on Defending the Caveman (Ross Mollison Productions).
Glenn has been a proud member of the MEAA for 28 years. He is the Vice President of the NSW branch of Actors Equity and the Vice Chair of the Actors Benevolent Fund of NSW.
